Original Mixed Media Art Works by Adam Karol Cimerman

SUMMER, 21x13x7″, 2009

Fall 20″ x 13″ x 7″, 2009

WINTER, 21X13X7″, 2009

Spring 20″ x 13″ x 7″, 2009

King Dom Polski, 2019, BW relief collage

Untitled 12″ x 4″ x 6″ Black & White Collage 2023

 

Sobranie Winter, 2019, Black and Gold Relief Collage on Canvas

 

The Grand Canal at Weedon England, 2014, mixed media Sculpture/construction

 

Love to Millicent

 

Bone Altar, 2015 mixed media, 20″ x 13″ x 17″

Stash, 2021, 33 x 23 x 8″

Stash 2, Stashu, 28″ x 21″ x 8″, 2022

Temple of Florida Tanning Salon, 2019 20″x 14″ x 7″, mixed media box construction

Snow on the Roof 13″ x 10″ x 8″, 2022

OMG-GMO  20″ x 30″

OMG-GMO  22″ x 32″

Broadway &  Columbus, San Fransisco, (Corner) Box Construction, 12″ x 12″ x 9

 

Kirko Bane! What a Name! 41″ x 12″ x 12″

In Memory of the Studio at the Baker & Hamilton Bldg.,  20″ x 13″ x 7″, 2021-22

OMG/GMO: Beans. Mixed Media on Plywood 10″ x 34″ x 4″

 

40 Years in California (1973 -2013) 25″ x  13″ x 6″, 2014

 

40 Years in California (1973 -2013) Inside Detail

A Short History of Madonna, 20 x 16 x 4″, Plaster Forms, Vintage Object, Wood, Paint Collage, 2010

 

Last Call, 2014, 21x13x8”, Collage, paint, Bamboo

Made in the Shade, 28″ x 17″ x 7” 2012

Homegrown Gold, 13″ x 11″ x 8″, Plants, Paint, Clay, 2023

Geomancy, 13″ x 10″ x 6″, 2023

Lawn Cycling in England – 2001, 13″ x 11″ x 8″, 2020

For the Love of Blue and Green. (detail)

For the Love of Blue and Green, 2020

 Of Coors,  20″x13″x7″, 2013, Objects, Resin, Paint, Collage

Prisoner of Cool, 2015/16, 20 x 13 x 7″

 

 

At Ease, 2024,  20″x13 x”5″

 

AD HOC Lettre, 21″x14″x5″, 2004

R.E.M. Rapid Eye Movement/Rembrandt, 2022

Write if you Get Directions, 2022. “41 X 12 X 12”.  Wood Objects, Paint

Landscape with Disillusioned Polish Youth Brand Pickles, 21”x13”x5”, 2016

EYE EYE EYE! 2020, 14x10x7”

The No. 1 – No. 5 GIRL, 2018, 13”x10”x8”

ROBO RIDDLE, Xerox Series, 1981, 8.5×11” Series

The Ongoing Hit Parade, 2016, Original Collage, Paint Resin on Board, 32×23”,AKC, San Francisco

Phone Fab Four, 2014, 16 x 12 x 10″

Not Pushing up Daisies, 2019, 21 x 13 x 7″

Not Pushing up Daisies, 2019, (Inside)

Favorite Poem Box, Mixed Media Removable Lid  9″ x 8″, 2023

“Dept of Love”, 2019 Mixed Media. 

Collection of Keith & Donna Goldstein, San Francisco

WHERE IT’S AT”. 2010, 24×36”. Aerial Photo Maps Collage, xerox graphics, resin on wood board. Monkey Brains Collection, San Francisco

Rain or Shine- Niagara Avril 9, 8-1/2×11” Original Mixed Media 2005

Playground, 21x13x8”, Mixed Media Box Construction: Wood Chipboard, Paint Objects, 2025

Hive Mind – 2025, 23x14x4” Box Construction with Plexiglass Cover

TRIBE, 2025, 10×14” Original Mixed Media Box Construction, Paint, Wood, Plastic, Natural Objects

Ode to the 9th Street Years – Collection of Terrie Campbell

ARTIST NOTES FOR “ODE TO 9th ST” YEARS: 1976-1987, SAN FRANCISCO, CA

“Ode to 9th Street” is a fond farewell to an apartment I lived in for 12 years in the South of Market (SOMA) area of San Francisco.

This apartment was my first real encounter with the urban dwellers’ nemesis: the cockroach.  Mine were atomic and I soon learned to say “no thanks” to periodic exterminator visits.  Were they actually feeding them?  I developed strategies – and also became somewhat interested in them. I even posed as one for photos, which resulted in a sketch (look under the table).  The gag store insect-in-an-ice-cube was sometimes served to an unsuspecting guest. Although I recall having rarely used either my small kitchen or bathroom for 3 years (1977-1980) roughly my years as an art student, night owl creature & health club member, I eventually solved the roach problem with boric acid and baking soda mixed 50/50 and left in huge white stripes.  Thereafter, they pretty much vanished.

Other box elements explained: “plaster face mask” is of me.  It was created with the help of Mark McCloud a San Francisco artist.  The “straw” is a Charlie Watts (RIP) drumstick.

The various friends & acquaintances who gathered (like insects at night) to the “lightbulb” of my apartment wore out several stones recordings and were just as likely to be seen bent over their own huge stripes of white powder – which did not make them vanish – but rather increased their numbers. For hours on end, we played a game called Yahtzee.  My personalized scorecards were printed: Adam’s House of Yahtzee.

The antiquey wooden clothes hangers were covered with all sorts of antique formal wear I collected. The detachable white shirt collar (rear wall) had been one of my regular costumes from those days.

The very small figure perched in the center foreground is meant to signify me as a rather small man about town; a rather small town as it seemed to me at that time.

I have never since ventured into that 9th St. building or seen my old apartment, but viewing this piece can evoke those spaces and the years spent there,

I hope that you find it quite beautiful in its own way.

 

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